Kehinde Wiley, you made my Labor Day

Labor Day Weekend 2016 has (sadly) come to an end. (But I refuse to say goodbye to summer because the temperature is still in the 90s.)

This year turned out to be a pretty relaxing LDW (after the part where I endured a pretty grueling final exam for cardio, of course). I mainly hung out around the house, tidying up/organizing/decorating. But everything changed when I came across an email about an upcoming discussion about artist Kehinde Wiley! I’ve admired his work for a while, because I love how he creates incredible, colorful portraits of people of color that are inspired by historical works of art. (If you want a better summary of his life and his work (trust me, you do), check this out.)

So naturally, when I realized that his exhibit, “A New Republic” was on display at the Virginia Museum of Fine Art in Richmond, I had to go. I recruited my best friend Michaela (also a huge Wiley fan) to come with me, and we spent our day off from class flourishing away in Richmond.


I was super excited for this exhibit and I can say that I was not disappointed. Wiley’s work is infinitely more beautiful in person, when you can really appreciate how detailed and (how massive) every painting truly is. I really was in awe of all of his work. I couldn’t even pick a favorite painting.



“A New Republic” also included some of Wiley’s sculptures and stained glass pieces, which were new to me because I had only heard of his paintings. But these works, especially the stained glass, were just as awe-inspiring as the large-scale portraits. Clearly, this man is talented.

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Painting is about the world we live in. Black people live in the world. My choice is to include them. This is my way of saying yes to us.

-Kehinde Wiley

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Bottom line: If any of you ever have the chance to see Kehinde Wiley’s work in person, please please please go! You won’t regret it.

-S

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